I'll start with my recent visit to the Mile High City and its wonderful art museum. I had never visited the Denver Art Museum but knew its reputation for having one of the biggest collections between Chicago and the West Coast. Founded in 1893 as the Denver Artists' Club, the museum is now housed in two connected buildings each a distinct design by a noted architect. The North Building was opened in 1971 as a seven story structure with over a million reflective glass tiles on the exterior of its twenty four sides. Thirty five years later the museum greatly expanded its exhibition space with the Hamilton Building designed by Daniel Libeskind who took his inspiration from the jagged peaks of the Rocky Mountains nearby.
I started my tour at the top of the North Building where, punctuated with magnificent views of the City of Denver and the Statehouse, I found an amazing collection of Western Art. Paintings of classic views of the western plains and desert, cowboys and horses, Indians and pioneers were interspersed with fabulous bronze sculptures and a collection of artifacts reflecting the early settlers and development of the region.
William Herbert Dunton "The Open Range", 1914
Frederic Remington "The Bronco Buster"
1895, cast 1902
Edgar Alwyn Payne "Desert Clouds", after 1930
As I descended from floor to floor, the depth of the Museum's collection became more and more apparent. Decorative arts, including furniture and textiles, Spanish Colonial, Pre-Columbian, European and American Masters were all represented with exquisite examples.
Follower of William Larkin
"Portrait of Three Girls", 1620
Giuseppe Archimboldo "Summer", 1572
Two floors were entirely devoted to American Indian art, both antique and contemporary. Navajo rugs, Kwakiutl masks, Karuk baskets and Cherokee beaded objects were displayed to show off their magnificent handwork and cultural significance.
Sioux tipi with saddles and a Chief's headdress, Late 1800s
Across the walkway in the Hamilton Building was a special exhibition entitled "In Bloom: Painting Flowers in the Age of Impressionism". As you can imagine, it was a feast for the eyes! Beginning with the luscious roses of Pierre-Joseph Redouté and continuing through to Matisse's Modern still lifes, this exhibition explores the history of Franco-Flemish flower paintings from the 19th to the 20th centuries.
Pierre-Adrien Chabal "Concordia", 1819-1902
"Engagement Still Life", 1869
Edouard Manet "Two Roses on a Tablecloth", 1882-83
Vincent Van Gogh "Daisies, Arles", 1888
Pierre Bonnard "The Poppies" 1918
Henri Matisse "Still Life: Bouquet and Compotier", 1924
I'm afraid I got a little carried away with the photographs, but the paintings were so beautiful it was hard to stop! More importantly, I hope they convey the evolution of the flower painting genre from botanical illustration to modernist interpretation.
If you're ever in the neighborhood, a visit to the Denver Art Museum is a celebration of the spirit of the West and a most enjoyable prelude to the natural beauty of the spectacular Rocky Mountains.